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Eva Mohn of the Cullberg Ballet
string arrangements by Ecka Mordecai and mapped out
developed around location recordings made in London and Berlin
owl flute and more
buck’s measured crescendo conjures the trance-inducing meditations of the sufi dervishes while watson’s pipes peal out glossolalic spasms that sound like a long lost maclise ritual
Leyden Jars – Forgeries Audience:Retail Eva Mohn of the Cullberg____We see steps off and float in. _______In slow three sixties _____we knit a cloak to keep us. __________Pulse is fire _____________and __________metals echo ______and every astral flinch ____is a welcome whip of the tail. ___No substance without shadow. ______We emerge and hold on ___________to the rips ______along a rough cut edge _______where metals warm _________and we pull up, _____________aerial, ___________and survey. _Up here the sung voice
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