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Plate 12 from Hasegawa's Kyoto-published series documents a spidery
Where earlier iterations lean on simplicity
The scene draws on the ukiyo-e tradition while breathing with a distinctly modern restraint
the vibration of his reds
sun-bleached middle ground
The Poplars at Saint-Rémy by Van Gogh Material:225g Fine Art Paper Plate 12 from Hasegawa's Kyoto-publishedPainted during Van Gogh's time at the Saint Paul de Mausole asylum in 1889, The Poplars at Saint Rmy captures a stand of trees with the restless energy that defined his late work. The poplars rise in agitated, spiralling strokes against a sky in motion Van Gogh's characteristic visual language at full intensity. The composition is both grounded and dynamic, the vertical thrust of the trees anchoring a landscape that seems to breathe and pulse with