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A powerful example of early 20th-century Expressionist draughtsmanship
Painted between 1912 and 1913
Plate 18 from Bairei's Hundred Birds album presents a single bird in arrested stillness — the composition pared to the essentials of form
each ring shifting through warm oranges
The interplay between flat areas and detailed image content generates a productive tension — the eye moves between reading the work as abstract and reading it as narrative
Bairei hyakucho gafu. Ten Pl.34 by Kono Bairei Size:M - 50 x 70cm A powerful example of earlyPlate 34 stands apart in the Hundred Birds album for the density of its composition: branch work occupies more of the frame than usual, and the bird is partially obscured by foliage, its form revealed in sections rather than fully exposed. This layering introduces a sense of depth unusual for the series, the subject inhabiting its environment rather than floating before it. Bairei's ink modulation manages the added complexity without losing the
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