Arnold, Concerto for Viola and Piano (Faber) advanced_cello_endpin_stops The frequency range is nearly

The frequency range is nearly linear with a slight peak in the upper midrange

Arranged for Violin and Piano by Watson Forbes

comes from the Kol Nidre declaration

A piano part is provided but not essential for performance

There are arrangements for orchestra and for a number of solo instruments

Arnold, Concerto for Viola and Piano (Faber) advanced_cello_endpin_stops The frequency range is nearlyThe viola is often thought of as a Cinderella instrument. Shy and retiring, it would not naturally have occurred to Arnold the extrovert as an obvious concerto vehicle. In his youth he wrote a beautiful Viola Sonata, and in 1971, to a commission from the Northern Sinfonia for a work for their principal viola, Roger Best, he wrote the fine Viola Concerto op 108. A first movement full of bustling semiquavers, and a brisk jig for the finale flank the