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Her flesh-colored gown was the star of the show, with 2,500 glittering rhinestones, and the whole affair had actually been sewn onto her body so that it fit her like a second skin every bit as miraculous as her first. Marilyn had lensed a few scenes for George Cukors Somethings Got to Give that would be her final film and she asked the films wardrobe designer, Jean Louis, to help her create that unforgettable moment. Mackie was Jean Louis assistant at the time
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Kendall has long been a less-is-more dresser especially when placed alongside her sisters so seeing her keep the dramatic black faux fur and feather coat we saw on the runway was genuinely surprising
And throughout, dress to honor the occasion and the young woman being celebrated rather than to draw attention to yourself
